Throwback Thursday: Elizabethtown Rewatch and the Problem of MPDGs

“I think I’ve been asleep most of my life.”

-Claire Colburn, Elizabethtown

Spoiler Alert if it was 2005 and not 2013.

Elizabethtown starring Kirsten Dunst and Orlando Bloom premiered in 2005. I remember absolutely loving it; I cried when Susan Sarandon tap danced, and laughed over “peaking” on the phone. But this movie is often cited as being the movie began the term “Manic Pixie Dream Girl”. This Wikipedia page (which I’m attaching to allow those of you who don’t know the term already to get caught up), even states as such.

I’ve been coming to hate the term a little. Female characters I love have suddenly been called that, even though I don’t find them to fit the description. So although I originally agreed with Claire Colburn (Dunst) being deemed this term, I decided to rewatch Elizabethtown and decide how much I agree. 

Well… I agree. I hate that I agree but I agree. But I’m not sure how much it bothers me that she is this way. If there was a sequel to Elizabethtown, I hope it would be about Claire and whatever makes her this way. And Drew would help her through it. But this Elizabethtown is about Drew Baylor’s (Bloom) father dying. As much as it is romance, I would have hated if we learned Claire’s life story and listened to her cry over mommy-issues, or how her boss is mean, or anything at all. She meets a cute guy, finds out his dad is dead, and wants to help. And she does. She gets him to grieve, which he needed to do.

Let me ask you this. When you first meet someone, do you lay everything out on the table? Or do you date them and get to know them first? Most people slowly allow for someone to discover their secrets, their flaws. OF COURSE, Claire is cute and dreamlike. She wants to impress him. AND HIS DAD DIED. I cannot stress my feelings about that enough. If I met someone I liked, at my parent’s funeral, barely knew them, and they cried to me about their life story, I would be say, “Seriously? My dad died. I can’t handle any else’s shit right now.” And they should get that or I would no longer like them.

In conclusion, Claire is a MPDG but I find her to be that way for a reason. In other words, if this movie was only a love story (and not about a man’s career falling apart and his dad dying at the same time), I would have hated it. And in other, other words, I bet if Elizabethtown was gender swapped, we wouldn’t be having this conversation.

Women in Gaming Wednesday: Review of The Last of Us

“We’ve seen the strong or we’ve seen the weak woman.

We haven’t necessarily seen the empowered woman.”

-          Troy Baker on women in video games in:

Grounded: The Making of The Last of Us

 Spoiler Alert! 

Naughty Dog is one of the first video game companies that really caught my attention. When my boyfriend made me watch and play the Uncharted series, I was hooked. It was the true beginning of my transformation into a gamer. Needless to say, we’ve been excited about The Last of Us for a while. We even went to the midnight release where we met Neil Druckmann (the Writer and Creative Director), Ashley Johnson (voice of Ellie), Troy Baker (voice of Joel), and other game designers/developers. Most of my photos are terrible because I was shaking with pure excitement. 

Ashley, me, and Troy. We are best friends.

Before we had a chance to play the game, I read a review from the New York Times (Stupid Article by a Stupid Hipster ) . Well, I skimmed the review, fearing spoilers. I was spoiled anyway, or so I thought. The review had me convinced that Joel dies. The reviewer also stated that Ellie isn’t as big of a feminist achievement as female gamers had hoped. But after completing the game, I found the review to be incorrect.

The article claimed that Ellie was “subordinate” to Joel. After playing the game, I see what the reviewer was saying; Ellie is definitely not the one in charge. But neither is Joel, at least, in the beginning. When Ellie is introduced, Tess is the one in charge. Throughout the game, the women take the lead. Tess and Joel are mostly equal but Tess generally seems to be the one calling the shots, Marlene is the leader of the Fireflies, and Maria seems to be the head of the Dam where we meet Joel’s brother. Am I proving Ellie isn’t subordinate though? Not really. What I’m trying to say is that there is hierarchy. But I don’t believe it has anything to do with gender. It has to do with age, experience, and the ability to make tough decisions. Generally in this game, that is the women. Ellie isn’t in charge not because of her gender, but because of her age and inexperience.

My thoughts on this come from when we meet Henry and Sam. Ellie and Sam are the same age. They are both “subordinate” to the men they travel with. The difference? Sam is a male. But the dynamic between Ellie and Joel and Sam and Henry is the same. They aren’t necessarily being dominated, they are being protected. Does this prove Ellie is a feminist character though? Maybe.

What truly proves she is feminist is when Joel is injured and we get to play as Ellie. In this level, Ellie is captured by a creepy man. My thoughts were “Please, no damsels in distress. Please!” And there wasn’t. Joel realizes Ellie has been gone for too long and musters the strength to find her, but its Ellie that rescues herself. She doesn’t wait to be rescued. There’s no Joel in sight until she’s already defeated her captor.

My only issues with the game on the feminist level are that Ellie is seeking Joel’s approval, asking things like, “How’d I do?” And then in the end, neither Marlene nor Joel gives Ellie a choice about her fate. They both make the decision for her.  By then, I believe she’s proven herself worthy of making her own choices. They know it too; Marlene asks Joel, “How’d you do it?” In reference to their making it across the country; his response is, “It was her. She fought like hell to get here.” Joel shows that Ellie is capable of anything in the post-apocalyptic world she’s grown up in.

Overall, I find Ellie to be a feminist hero who is not “subordinate” or anything else demeaning for that matter. Ellie fights for her life, and for her strength, with or without men to guide her. This game deserves a 5 out of 5.

Things to note: Nathan Drake is David. That’s right. Nolan North is the voice of the creep who captures Ellie. Think about that. Just think about it.